Discover Hollywood Magazine

Moulin Rouge! The Musical
2025-11-11 19:30 - 21:30, 2025-11-12 19:30 - 23:00, 2025-11-13 19:30 - 23:30, 2025-11-14 20:00 - 23:30, 2025-11-15 14:00 - 17:00 (Asia/Kolkata) | Hollywood Pantages Theatre, 6233 Hollywood Blvd. Wayne McWorter (213)365-3500, Hollywood, CA, 90028.0
The spectacular Moulin Rouge! The Musical plunges the audience into the vibrant, hedonistic underworld of the famous Montmartre nightclub in 1899 Paris, setting the stage for a tragic, yet dazzling love story built on the bohemian ideals of Truth, Beauty, Freedom, and Love.

Moulin Rouge! The Musical
2025-11-11 19:30 - 22:30, 2025-11-12 19:30 - 22:30, 2025-11-13 19:30 - 22:30, 2025-11-14 20:00 - 23:00, 2025-11-15 14:00 - 17:00 | California

Sir Chloe
2025-11-11 19:30 - 23:30 | The Fonda, 6126 Hollywood Blvd., Hollywood, California
Sir Chloe is an American indie rock project centered around vocalist and songwriter Dana Foote, known for a dynamic sound that blends heavy, overdriven guitars and tight rhythms with catchy alternative pop melodies. Their musical style is characterized by a raw, grunge-adjacent energy, which is often contrasted by Foote’s versatile vocals that can shift from soft and conversational to intensely powerful. The project gained significant traction and widespread attention following the release of their 2020 EP, Party Favors, which featured the viral hit “Michelle.” Since then, Sir Chloe has continued to evolve their sound, culminating in their 2023 debut studio album, I Am The Dog.

3rd Annual Ceramic Pop-Up Shop with Clay CA
2025-11-12 08:00 - 17:00 | Murmurs, 1411 Newton Street, Los Angeles, CA, 90021, United States
Evangeline AdaLioryn, Gabriella Aguirre, Augustine Ceramics, Mindy Le Brock, Karla Ekaterine Canseco, Skye Chamberlain, Josh Cloud, Gabriela Forgo, Anais Franco, Cali Hetfield, Jotham Hung, Maddy Inez Christina Joseph, Lauren Kim, Jacqi Lee, Jasmine Little, Studio Mano, Kyna Payawal, Laura Rule, Noon Tran, Laura Stinger, Christian Vargas, Amia Yokoyama, Jamiee Zhuge +More!

Tweet Tweet
2025-11-12 17:30 - 21:00, 2025-11-13 17:30 - 21:00, 2025-11-14 17:30 - 21:00, 2025-11-15 17:30 - 21:00 | Hudson Mainstage Theatre, 6539 Santa Monica Blvd., Hollywood, California
Life is upended for 32-year-old PhD candidate Mark after a chance meeting with a stranger. Relationships with Ellen, his long-suffering fiancée, and friends are tested when Mark starts developing feelings outside the realm of what’s considered “normal.” But perhaps it’s all beyond his control. “Tweet Tweet” is a psychological comedy about what we think we can control and what we don’t know we can’t.

NoSo, JayWood
2025-11-12 19:00 - 21:30 | Hollywood Forever, 6000 Santa Monica Blvd, Los Angeles, CA, 90038, United States
NoSo and JayWood are two compelling indie artists who are currently on tour together, with JayWood supporting NoSo for a series of North American shows in late 2025. NoSo, the stage name for Korean-American singer-songwriter Baek Hwong (they/he), creates intimate, guitar-led alternative music that often explores themes of gender and racial identity, as heard on their critically acclaimed album Stay Proud of Me and the follow-up When Are You Leaving? JayWood, the moniker for Canadian musician Jeremy Haywood-Smith, blends a variety of genres like soul, funk, indie rock, and hip-hop, crafting a unique sound that delves into self-reflection and personal identity, particularly on his album Leo Negro. Together, the two artists offer a powerful and diverse evening of modern independent music marked by deeply personal songwriting and an evolving sound that is both introspective and danceable.

Dogpark
2025-11-12 19:00 - 23:30 | Troubadour, 9081 Santa Monica Blvd., Hollywood, California
Dogpark is an emerging American indie rock act that originated in 2023 from a group of friends at the University of Richmond, Virginia, before quickly relocating and basing themselves out of the East Coast music scene. Known for their infectious stage presence and highly capable musicianship, the band—featuring members like Eamon Moore (lead vocals), Chris Conte (drums), Declan Harris (lead guitar), and Billy Apostolou (guitar)—is celebrated for their sound that pays homage to the melodic grit of ’90s and early 2000s alternative rock. Their music balances raw, guitar-driven energy with a sophisticated, emotionally layered quality, exemplified by tracks like “Caviar” and the songs on their 2024 EP, Breaking in Brooklyn, which has propelled them from backyard shows to signing with Severance Records and launching major headlining tours.

Erasure: Black Arts LA
2025-11-13 18:00 - 19:00 | Vincent Price Art Museum, 1301 Avenida Cesar Chavez, Monterey Park, Los Angeles, CA, 91754, United States
VPAM presents an evening exploring Black erasure and creative resistance through language, image, and live presentation, inviting audiences to engage with histories both remembered and obscured.
After a light reception and after-hours gallery access, guests will be invited to participate in a hands-on poetry activity using pages from the Act On It! exhibition catalog, facilitated by poet and artist Rebecca Gonzales. Guided by creative prompts and surrounded by the exhibition’s artwork, participants will create erasure poems, a literary form in which words are selectively removed from an existing text to reveal a new piece of writing. The resulting poems will be digitized and archived as part of VPAM’s evolving record of community reflection and response.
Later in the evening, acclaimed cultural critic and writer Ernest Hardy will present a multimedia lecture investigating the many dimensions of Black erasure (collective, historical, structural, and cultural) through an incisive mix of film clips, literature, music, and social media. Rooted in the legacy of the Black Arts West movement and drawing from Hardy’s collaborative archival project The Black Book, the presentation will trace cultural erasure and resilience, while proposing pathways toward reimagined futures.

Jesse McCartney
2025-11-13 19:00 - 23:30 | Hollywood Palladium, 6215 Sunset Blvd, Hollywood, California
Building on his start in the boy band Dream Street, Jesse McCartney transitioned into a highly successful solo musical career in the mid-2000s, establishing himself first as a teen pop sensation with the platinum-selling 2004 debut album, Beautiful Soul. As his career progressed, he demonstrated significant musical evolution, moving away from pure pop toward a more sophisticated R&B and dance-pop sound with his third album, Departure (2008), which featured his biggest hit, the smooth, infectious single “Leavin’.” Beyond his own vocal performances, McCartney is also an accomplished songwriter whose credibility extends to mainstream pop, most famously co-writing the globally chart-topping ballad “Bleeding Love” for Leona Lewis, ensuring his continued influence in both performing and crafting popular music.

Flux Screenings: Fall 2025
2025-11-13 19:30 - 21:00 | Hammer Museum, 10899 Wilshire Blvd, Los Angeles, CA, 90024, United States
The Flux Screening Series brings the creative community together for a night of outstanding short films and music videos, featuring wildly inventive filmmaker presentations and performances. Our fall program travels through the sights and sounds of international cities. We are proud to present the world premiere of Kyiv from electronic music artist Apashe, featuring Alina Pash. Filmed on 35mm in the capital during the ongoing war, the video showcases an extraordinary lineup of Ukrainian artists and marks the latest collaboration between Montreal-based director Adrian Villagomez and Apashe. Fresh from its premiere at the Toronto Film Festival, Hannah Cheesman joins us to present Marriaginalia, a surreal story of married life told across a single day in three parts. With Hundred Acres, Flux alum Daren Rabinovitch of Encyclopedia Pictura and Noname take us on a magical bike ride through an urban alley, pursued by a mysterious, cat-like figure. Gilly Barnes’s lyrical documentary The Theory of Spice—narrated by Jon Batiste and Rizo—journeys through India, Sri Lanka, and Guatemala, exploring the unique histories of cardamom, cinnamon, and ginger. Viktor Horvath, LA-based founding member of the Hungarian collective Kinopravda, presents PRESSO, shot in Budapest for his countryman Dzsúdló. This fall saw the release of one of the year’s most remarkable music videos, Rosalía’s Berghain. The track features Björk, Yves Tumor, and the London Symphony Orchestra, uniting three singular sonic worlds. Directed by Nicolás Méndez of CANADA and filmed entirely in Warsaw, the epic video captures Rosalía performing with the orchestra in a powerful visual meditation on sound that is distinctly human. The lineup spans comedy, dance, drama, animation, and music videos for Jianbo, La Lá, Uzi Freyja, Xinobi and more. Special guests include Gilly Barnes, Hannah Cheesman, Viktor Horvath, and some surprises, followed by a courtyard after-party with DJ Maddy Maia.

Olga de Amaral
2025-11-14 18:00 - 20:00 | Lisson Gallery, 1037 N. Sycamore Ave., Los Angeles, CA, 90038, United States
From my earliest days to my most recent pieces, I have always been inhabited by color, yet I am still looking for its mysterious soul. – Olga de Amaral Lisson Gallery Los Angeles is honored to present a focused survey of works by renowned Colombian artist Olga de Amaral, marking her first solo exhibition in the city in almost a decade. Spanning from the early 1970s through 2018, the exhibition traces key developments in Amaral’s influential, six-decade career and her singular practice that dissolves the boundaries between weaving, painting, and sculpture. Through landmark works of varying scale and format, the show offers a rare opportunity to engage deeply with Amaral’s unique visual and material language, interlacing linen, wool, horsehair, Japanese paper, acrylic, and precious metals into luminous, sculptural forms that shimmer with historical, spiritual, and environmental resonance. The works on view bear witness to the determined plurality of Amaral’s art since the 1970s. Materials including horsehair, Japanese paper, and gold and palladium leaf combine to produce a fluid, emotional and aesthetic register, one that fluctuates between the epic and the intimate, the material and the spiritual. In two distinct works, created nearly forty years apart, Amaral has suspended a woven structure from the ceiling. Eslabón familiar (1973) consists of a rope-like length of horsehair that loops with Baroque intricacy around a larger loop-shaped armature. By contrast with the internal dynamism of this early work, Nudo 19 (turquesa) (2014) takes the form of a slender column of turquoise-dyed linen threads, stiffened with gesso and tied in a single knot towards the top. The object appears both airborne and earthbound, magnifying a simple gesture at the core of all weaving to a grand scale. Throughout the exhibition, twin elements of ornate complexity and disciplined simplicity can be seen to alternate and combine. A rare and monumental work from Amaral’s acclaimed Alquimia series, Alquimia 41 (díptico), will be featured prominently on the west wall of the gallery. Created in 1987, this diptych is one of the largest examples from Amaral’s most extensive body of work through which she has explored the transformative nature of alchemy. Infused with the luminosity of gold leaf, the work reflects both the sacred materiality of pre-Columbian traditions and the Japanese philosophy of kintsugi. Such ritualistic associations become more concrete in Memento 9 (2016), in which tightly-layered strips of linen form a grid, overlaid with gold leaf. Also on view is work from the Soles series, which relate closely to her Estelas (1996–2018), a larger body of gold leaf works. As the title Soles (Suns) suggests, Amaral’s use of gold emphasizes the luminosity of the material. Her deft manipulation of the surface, built up with many layers of gesso, lends a solid, sculptural weight to these works, which nonetheless maintain a sense of movement and ephemerality evocative of the natural world. The grid structure reappears in two works from the Nébulas series (2014–19), where segments of Japanese paper, saturated in deep greens and blues, are overlaid with geometric or radial motifs. A related interplay of structure and light is evident in Agua azul (2018), where vertical strips of painted paper are folded over linen threads and suspended away from the wall, allowing light to pass through and produce a shimmer reminiscent of cascading water. This dualism between solidity and transparency, the earth and the sky, can also be traced back to early monumental works like Paisaje de calicanto (1983), in which light is integral to the woven form. However, unlike the artworks such as the Nébulas, which reference the cosmos in their palette and construction, Paisaje de calicanto’s rich colors are rooted in the artist’s native Colombian landscape. Amaral’s studies at Cranbrook Academy of Art in Michigan in the mid-1950s proved to be a transformative experience for the artist, introducing her to weaving and thus providing a technical outlet for a fascination that had begun in childhood: “I learned about the loom, which I saw as another way of working and constructing things,” she has explained. “I became interested in fiber, in thread, because weaving allowed for invention.” Upon returning to Colombia, she began to make handwoven textiles, and from the late 1960s she increasingly aligned her creations with ‘fine art’ genres, initiating a dismantling of the boundary between craft and art that would come to define her output. The current exhibition follows upon institutional displays that have confirmed Amaral’s position within an expanded history of art. These include ‘Woven Histories’, which opened at LACMA in 2023 and subsequently travelled to three other venues, including the National Gallery of Art, Washington D.C., and a large-scale retrospective that travelled from the Fondation Cartier pour l’art contemporain, Paris (2024) to ICA Miami (2025).

Jersey Poets: Bruce Springsteen & Patti Smith
2025-11-14 19:00 - 21:00 | Musichead Gallery, 7420 W Sunset Blvd, Los Angeles, CA, 90046, United States
Musichead Gallery is proud to present Jersey Poets, a group exhibition of photographs celebrating Bruce Springsteen and Patti Smith, two visionary artists who emerged from New Jersey to redefine the relationship between music, language, and image. Featuring work by Adrian Boot, Allan Tannenbaum, Bob Gruen, Danny Clinch, David Gahr, David Rose, Frank Stefanko, Lynn Goldsmith, Neil Zlozower, Norman Seeff, Steve Rapport, and Terry O’Neill, the exhibition brings together portraits and performance photographs that explore how both artists transformed rock and roll into a form of storytelling, spiritual reflection, and personal expression. While Springsteen and Smith share geographic and generational roots, their creative trajectories reveal distinct approaches to truth and transcendence. Springsteen’s narratives of working-class perseverance echo the rhythms of small-town America, while Smith’s poetic and avant-garde sensibility gave voice to the intellectual and emotional edges of punk. On view are photographs that trace their parallel journeys, capturing moments of performance, collaboration, and persona that illuminate the dynamic balance between realism and symbolism, individuality and community, sound and vision. The exhibition coincides with the release of Bruce Springsteen’s biopic Deliver Us From Nowhere, the publication of Patti Smith’s memoir Bread of Angels, and her performance at Walt Disney Concert Hall. Both artists also mark the 50th anniversaries of their debut albums Greetings from Asbury Park, N.J. and Horses. Through these photographs, Jersey Poets invites viewers to reflect on how two singular voices continue to influence the cultural and visual language of modern music. We invite you to experience Jersey Poets, where music and photography meet to tell the stories of Bruce Springsteen and Patti Smith, their roots, their visions, and their enduring impact on culture.

Joshua AM Ross / Caleb Engstrom: Ode To Sunflower
2025-11-14 19:00 - 22:00 | Wonzimer Gallery, 341 S Avenue 17, Los Angeles, CA, 90031, United States
Drawings by Joshua AM Ross Furniture Designs by Caleb Engstrom Wönzimer is pleased to announce Ode to Sunflower, a two-person exhibition featuring new works by Joshua AM Ross and Caleb Engstrom. Ode to Sunflower explores themes of perception, the body, and material intimacy through drawings and furniture. The exhibition features 14 colored pencil drawings by Joshua AM Ross alongside 14 new furniture pieces by Caleb Engstrom. Joshua AM Ross’s work draws a parallel between the life cycle of the sunflower and the human body. His series of drawings portrays figures in motion, capturing moments of interaction and connection. These works ask questions about seeing, being, and becoming, examining how bodies engage with one another through both touch and non-touch. Caleb Engstrom presents the newest chapter of his DRY KISS series. The works include aluminum chairs and the debut of a dining table, as well as an upholstered lounge chair in wide-wale corduroy. Guided by the mantra “don’t repeat yourself, keep it simple, stupid,” Engstrom explores how we inhabit objects, and how touch transforms into memory. Together, Ross and Engstrom’s investigations into the architecture of experience and the intimacy of materials find shared ground, creating a dialogue between their works.

MOTHER TONGUE: On Power
2025-11-14 19:00 - 22:00 | Friday Gallery, 767 S Alameda St, Los Angeles, CA, 90021, United States
Mother Tongue asks: “What does it mean to speak the language of power?” In this moment, more than ever, words matter. Words seduce. Words distort. Words unite. Words intoxicate. Power knows this well, with language as its chosen lover. Friday Gallery’s fall season brings together diaspora and indigenous artists exploring the language and symbols of power, from the literal to the metaphoric and mythic. Mother Tongue presents works by Caroline Monnet, Raymundo T. Reynoso, Cryptik, Salomón Huerta, and Behnaz Farahi. Weaving perspectives from Anishinaabe, Mexican, South Korean, and Iranian heritages, the pieces tell a larger story of how language and power have always danced together across time, culture, and community. The show will be paired with a living library: 100 Books of Resistance chosen by 100 cultural thinkers and curated by linguist scholar Eva Barbarossa. The Mother Tongue library and popup bookstore will bring together diverse views on power and language: from the conversations of plants, to the secret lexicon of an extinct female-only language. It will span cultures, eras, and genres: from protest poetry to con artists, from political philosophy to comic books. Your mother tongue is the first language you learned to speak. By understanding the language of power and making it our native tongue, we can hold it, bend it, and channel it as our own. Mother Tongue is a love letter to the thinkers, writers, and artists who’ve given us the language of courage when we needed it most.

LA Creeps: Mirror Mirror - A collaborative exhibition between Liz Walsh & Kim Weller
2025-11-14 19:00 - 23:00 | LAST Projects Gallery, 206 S Ave 20, Los Angeles, CA, 90031, United States
Mirror, Mirror, opening November 14th at Last Projects, is a multimedia exhibition made by L.A. Creeps: a collaboration between artists Liz Walsh and Kim Weller. The two have been working together (as L.A. Creeps) since 2016, and have exhibited at Last Projects, M.A.R.S. and Post. The group’s initial projects involved installing site specific multimedia works in locations around Los Angeles such as Hollywood Forever Cemetery, parking garages, lawns, and under freeways. Improvisation and sometimes danger shadowed these actions; the artists quickly set up their work and documented it to evade authority figures. Random passerbys could experience art that entwined punk, humor, and pop with subtle social and political commentaries. Walsch and Weller met in San Francisco at the California College of the Arts, and then reconnected in Los Angeles. The two enjoyed each other’s work and wanted to collaborate. Walsch’s inspiration comes from plant life and living in Los Angeles. She focuses on the relationships between technology, entropy, and the natural world. Weller, on the other hand, mixes sparkly semi-precious materials with repulsive materials to explore celebrity tabloid culture, camp, and morbidity. Mirror, Mirror allows L.A. Creeps the opportunity to display their artwork in a more permanent setting, and it gives them more time to play with the work. It includes art that Weller and Walsh have been working on individually, which mirrors how their collaboration operates. Weller explains, in relation to the site specific work, “Another cool thing about CREEPS is that we never discuss what the other person is making beforehand. When we arrive at the site, we pull everything out of the car and look at each other’s work and then we install. It’s really exhilarating and one of my favorite parts of this project. That is the surprise for me every time.”

quinnie - The Paper Doll Tour
2025-11-14 20:00 - 23:30 | California
quinnie, is an American indie-folk and bedroom pop singer-songwriter from New Jersey who has quickly become known for her deeply intimate and vulnerable music. After years of independently releasing demos, she achieved viral success in 2022 with her song “touch tank,” which led to the release of her critically praised debut album, flounder, in 2023. Her music is often noted for its soft, dreamy production, candid lyrics that explore the emotional journey of early adulthood and womanhood, and an honesty that fans find highly relatable. With the recent release of her sophomore album, paper doll (2025), quinnie continues to carve out a unique space in the Gen Z indie scene, blending influences from classic folk artists like Joni Mitchell with a contemporary, ambient-inspired sonic palette.

Herb Alpert & The Tijuana Brass & Other Delights
2025-11-14 20:00 - 23:30 | Dolby Theatre, 6801 Hollywood Blvd., Hollywood, California, 90028.0
After reforming his iconic Tijuana Brass for the first time in over 40 years, legendary musician, artist, record label executive, and philanthropist Herb Alpert will close out his once-in-a-lifetime Herb Alpert & The Tijuana Brass & Other Delights tour with a blowout homecoming show at the Dolby Theater in Los Angeles on November 15th.
With an all-new lineup of Bill Cantos (piano & marimba), Kerry Marx (guitars), Ray Brinker (drums), Kris Bergh (trumpet), Ryan Dragon (trombone), and Hussain Jiffry (bass), Herb Alpert & The Tijuana Brass & Other Delights commemorates the 60th anniversary of his historic album Whipped Cream & Other Delights performing hits like “The Lonely Bull,” “Spanish Flea,” “Tasteof Honey”, “This Guy’s In Love With You” and another delight, “Rise.”

Secret Asian Man presents: Three Voices Patricia Fernández | Beatriz Cortez: 4 Meters | Dala Nasser: Innocents at Home
2025-11-15 11:00 - 17:00 | Commonwealth and Council, 3006 W 7th St #220, Los Angeles, CA, 90005, United States
Patricia Fernández (b. 1980, Burgos; lives and works in Los Angeles) received an MFA from California Institute of the Arts (2010) and a BFA from University of California, Los Angeles (2002). Selected solo exhibitions have been held at Commonwealth and Council, Los Angeles (2024, 2021, 2018); Commonwealth and Council, Mexico City (2023); Whistle, Seoul (2021); Los Angeles Contemporary Archive (2021, 2016); Holiday Forever, Jackson Hole (2020); Todd Madigan Gallery, Bakersfield (2018); Museo de Arte Burgos (2015); 18th Street Arts Center, Santa Monica (2014); and LAXART (2014). Selected group exhibitions have been held at Los Angeles Municipal Art Gallery (2023, 2017); Armory Center for the Arts, Pasadena (2022); Los Angeles County Museum of Art (2020); Angels Gate Cultural Center, San Pedro (2019); Tina Kim Gallery, New York (2018); Obra, Malmö (2017); and Hammer Museum, Los Angeles (2012). Fernández is a recipient of Otis College of Art and Design Faculty Development Grant (2025, 2021), Joan Mitchell Foundation Painters and Sculptors Grant (2019), Pollock-Krasner Foundation Grant (2017-18), Speranza Foundation Lincoln City Fellowship (2015), France-Los Angeles Exchange Grant (2012), and California Community Foundation Fellowship for Visual Artists (2011). Fernández has participated in residencies at Sandness, Norway (2024), Forest Island, Mammoth Lakes (2018); Récollets, Paris (2016); D-Flat, Mexico City (2016); Headlands Center for the Arts, Marin (2015); 18th Street Arts Center, Santa Monica (2014); and Fondazione Antonio Ratti, Como (2013).
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An nochipa tlaltikpak:
san achika ya nikan.
Tel ka chalchiuitl no xamani,
no teokuitloatl in tlapani,
No ketsali posteki.
An nochipa tlaltikpak:
san achika ye nikan.
—Netzahualcoyotl
Everything is in a process of transformation: flowing, moving, changing, and falling apart. In 4 Meters, Beatriz Cortez regards the sinking of the Palacio de Bellas Artes in Mexico City as a metaphor for impermanence. The surrounding Lake Texcoco aids this transformation, resisting the cultural occupation of the Palacio—the ultimate symbol of modernity—and measuring time by the increasing depth of the spoils of colonialism it drowns. Like a cenote, the lake swallows offerings, enabling the survival of the Indigenous cultures and spirituality of the ancient urban center that once occupied this site. Evoking the words of the poet ruler of Texcoco, Netzahualcoyotl, Cortez reminds us that everything crumbles: “Not forever on Earth: only fleetingly here. Even if made of jade it breaks, even if made of precious metal it cracks, even if made of quetzal feathers it tears. Not forever on Earth: only fleetingly here.”
Beatriz Cortez (b. 1970, San Salvador; lives and works in Los Angeles and Davis) received an MFA from California Institute of the Arts (2015) and a PhD in Latin American Literature from Arizona State University (1999). Cortez is faculty at University of California, Davis. Selected solo and two-person exhibitions have been held at Americas Society, New York (2025); Storm King Art Center, New Windsor (2023); Williams College Museum of Art, Williamstown (2023); Pitzer College Art Galleries, Claremont (2022); Institute of Contemporary Art, San Diego (2021). Selected group exhibitions have been held at Los Angeles County Museum of Art (2025); Boston Public Art Triennial (2025); Kemper Museum of Art, St. Louis (2025); Montalvo Arts Center, Saratoga (2024); 60th Venice Biennale (2024); Tufts University Art Galleries, Medford (2022); Michigan State University Broad Art Museum, East Lansing (2021); Museo de Arte Contemporáneo, Panama (2021); Wattis Institute for Contemporary Arts, San Francisco (2020). Cortez is a recipient of Latinx Arts Fellowship, Mellon Foundation (2023), New School Vera List Center Borderlands Fellowship (2022–24), and Artadia Los Angeles Award (2020). Cortez has participated in residencies at Ucross Foundation (2025); The Arctic Circle (2023); and Atelier Calder, Saché (2022).
Cortez’s work is in the collections of El Paso Museum of Art; Ford Foundation, New York; Getty Research Institute, Los Angeles; Institute of Contemporary Art, San Diego; Lawrence University, Appleton; Los Angeles County Museum of Art; Michigan State University Broad Art Museum, East Lansing; Mohn Art Collective: Hammer, LACMA, MOCA (MAC3); Museo Comunitario Kaqjay, Patzicía; and Museo de la Imagen y la Palabra, San Salvador.
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Dala Nasser (b. 1990, Tyre; lives and works in Beirut and London) received an MFA from Yale University (2021) and a BFA from University College London (2016). Selected solo exhibitions have been held at Kunsthalle Basel (2025); Renaissance Society, Chicago (2023); Kölnischer Kunstverein, Cologne (2022); and V.O Curations, London (2022). Selected group exhibitions have been held at Aichi Triennale, Nagoya (2025); Aïshti Foundation, Beirut (2025); Accelerator, Stockholm (2025); Wellcome Collection, London (2025); Espoo Museum of Art, Helsinki (2025); Whitney Museum of American Art, New York (2024); Diriyah Contemporary Art Biennale, Riiyadh (2024); 15th Sharjah Biennial (2023); 58th Carnegie International, Pittsburgh (2022); and Beirut Art Center (2019). Nassar is a recipient of Isola Sicilia Prize (2022) and 32nd Salon D’Automne Emerging Artist Prize (2017). Nassar has participated in residencies at V.O Curations, London (2021); Gapado AIR, Jeju Island (2019); and Ashkal Alwan, Beirut (2017).

Sarah Ann Weber: I Know Her | Group Show: After Each Night We Are Emptier
2025-11-15 18:00 - 20:00 | Anat Ebgi | Mid-Wilshire, 6150 Wilshire Blvd, Los Angeles, CA, 90048, United States
Across I Know Her, Sarah Ann Weber locates apertures where the maternal, environmental, and imaginative converge, accumulating dualities that form an ecology of unruliness and resilience. The exhibition’s title gestures to multiple recognitions—the child, the mother, the landscape, the artist herself—each glimpsed, inhabiting a space of flux and perpetual renewal.

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Anat Ebgi is pleased to announce After Each Night We Are Emptier, including works by: Eve Biddle, Veronica Fernandez, Simon Haas, Hayv Kahraman, Ragen Moss, Veronika Pausova, Mary Ann Unger.
