Moulin Rouge! The Musical
2025-11-14 20:00 - 23:30, 2025-11-15 14:00 - 17:00, 2025-11-15 20:00 - 23:30, 2025-11-16 13:00 - 17:00, 2025-11-16 18:30 - 23:30 (Asia/Kolkata) | Hollywood Pantages Theatre, 6233 Hollywood Blvd. Wayne McWorter (213)365-3500, Hollywood, CA, 90028.0
The spectacular Moulin Rouge! The Musical plunges the audience into the vibrant, hedonistic underworld of the famous Montmartre nightclub in 1899 Paris, setting the stage for a tragic, yet dazzling love story built on the bohemian ideals of Truth, Beauty, Freedom, and Love.

Secret Asian Man presents: Three Voices Patricia Fernández | Beatriz Cortez: 4 Meters | Dala Nasser: Innocents at Home
2025-11-15 11:00 - 17:00 | Commonwealth and Council, 3006 W 7th St #220, Los Angeles, CA, 90005, United States
Patricia Fernández (b. 1980, Burgos; lives and works in Los Angeles) received an MFA from California Institute of the Arts (2010) and a BFA from University of California, Los Angeles (2002). Selected solo exhibitions have been held at Commonwealth and Council, Los Angeles (2024, 2021, 2018); Commonwealth and Council, Mexico City (2023); Whistle, Seoul (2021); Los Angeles Contemporary Archive (2021, 2016); Holiday Forever, Jackson Hole (2020); Todd Madigan Gallery, Bakersfield (2018); Museo de Arte Burgos (2015); 18th Street Arts Center, Santa Monica (2014); and LAXART (2014). Selected group exhibitions have been held at Los Angeles Municipal Art Gallery (2023, 2017); Armory Center for the Arts, Pasadena (2022); Los Angeles County Museum of Art (2020); Angels Gate Cultural Center, San Pedro (2019); Tina Kim Gallery, New York (2018); Obra, Malmö (2017); and Hammer Museum, Los Angeles (2012). Fernández is a recipient of Otis College of Art and Design Faculty Development Grant (2025, 2021), Joan Mitchell Foundation Painters and Sculptors Grant (2019), Pollock-Krasner Foundation Grant (2017-18), Speranza Foundation Lincoln City Fellowship (2015), France-Los Angeles Exchange Grant (2012), and California Community Foundation Fellowship for Visual Artists (2011). Fernández has participated in residencies at Sandness, Norway (2024), Forest Island, Mammoth Lakes (2018); Récollets, Paris (2016); D-Flat, Mexico City (2016); Headlands Center for the Arts, Marin (2015); 18th Street Arts Center, Santa Monica (2014); and Fondazione Antonio Ratti, Como (2013).
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An nochipa tlaltikpak:
san achika ya nikan.
Tel ka chalchiuitl no xamani,
no teokuitloatl in tlapani,
No ketsali posteki.
An nochipa tlaltikpak:
san achika ye nikan.
—Netzahualcoyotl
Everything is in a process of transformation: flowing, moving, changing, and falling apart. In 4 Meters, Beatriz Cortez regards the sinking of the Palacio de Bellas Artes in Mexico City as a metaphor for impermanence. The surrounding Lake Texcoco aids this transformation, resisting the cultural occupation of the Palacio—the ultimate symbol of modernity—and measuring time by the increasing depth of the spoils of colonialism it drowns. Like a cenote, the lake swallows offerings, enabling the survival of the Indigenous cultures and spirituality of the ancient urban center that once occupied this site. Evoking the words of the poet ruler of Texcoco, Netzahualcoyotl, Cortez reminds us that everything crumbles: “Not forever on Earth: only fleetingly here. Even if made of jade it breaks, even if made of precious metal it cracks, even if made of quetzal feathers it tears. Not forever on Earth: only fleetingly here.”
Beatriz Cortez (b. 1970, San Salvador; lives and works in Los Angeles and Davis) received an MFA from California Institute of the Arts (2015) and a PhD in Latin American Literature from Arizona State University (1999). Cortez is faculty at University of California, Davis. Selected solo and two-person exhibitions have been held at Americas Society, New York (2025); Storm King Art Center, New Windsor (2023); Williams College Museum of Art, Williamstown (2023); Pitzer College Art Galleries, Claremont (2022); Institute of Contemporary Art, San Diego (2021). Selected group exhibitions have been held at Los Angeles County Museum of Art (2025); Boston Public Art Triennial (2025); Kemper Museum of Art, St. Louis (2025); Montalvo Arts Center, Saratoga (2024); 60th Venice Biennale (2024); Tufts University Art Galleries, Medford (2022); Michigan State University Broad Art Museum, East Lansing (2021); Museo de Arte Contemporáneo, Panama (2021); Wattis Institute for Contemporary Arts, San Francisco (2020). Cortez is a recipient of Latinx Arts Fellowship, Mellon Foundation (2023), New School Vera List Center Borderlands Fellowship (2022–24), and Artadia Los Angeles Award (2020). Cortez has participated in residencies at Ucross Foundation (2025); The Arctic Circle (2023); and Atelier Calder, Saché (2022).
Cortez’s work is in the collections of El Paso Museum of Art; Ford Foundation, New York; Getty Research Institute, Los Angeles; Institute of Contemporary Art, San Diego; Lawrence University, Appleton; Los Angeles County Museum of Art; Michigan State University Broad Art Museum, East Lansing; Mohn Art Collective: Hammer, LACMA, MOCA (MAC3); Museo Comunitario Kaqjay, Patzicía; and Museo de la Imagen y la Palabra, San Salvador.
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Dala Nasser (b. 1990, Tyre; lives and works in Beirut and London) received an MFA from Yale University (2021) and a BFA from University College London (2016). Selected solo exhibitions have been held at Kunsthalle Basel (2025); Renaissance Society, Chicago (2023); Kölnischer Kunstverein, Cologne (2022); and V.O Curations, London (2022). Selected group exhibitions have been held at Aichi Triennale, Nagoya (2025); Aïshti Foundation, Beirut (2025); Accelerator, Stockholm (2025); Wellcome Collection, London (2025); Espoo Museum of Art, Helsinki (2025); Whitney Museum of American Art, New York (2024); Diriyah Contemporary Art Biennale, Riiyadh (2024); 15th Sharjah Biennial (2023); 58th Carnegie International, Pittsburgh (2022); and Beirut Art Center (2019). Nassar is a recipient of Isola Sicilia Prize (2022) and 32nd Salon D’Automne Emerging Artist Prize (2017). Nassar has participated in residencies at V.O Curations, London (2021); Gapado AIR, Jeju Island (2019); and Ashkal Alwan, Beirut (2017).

Moulin Rouge! The Musical
2025-11-15 14:00 - 17:00, 2025-11-15 20:00 - 23:00, 2025-11-16 13:00 - 16:00, 2025-11-16 18:30 - 21:30 | California

Tweet Tweet
2025-11-15 17:30 - 21:00 | Hudson Mainstage Theatre, 6539 Santa Monica Blvd., Hollywood, California
Life is upended for 32-year-old PhD candidate Mark after a chance meeting with a stranger. Relationships with Ellen, his long-suffering fiancée, and friends are tested when Mark starts developing feelings outside the realm of what’s considered “normal.” But perhaps it’s all beyond his control. “Tweet Tweet” is a psychological comedy about what we think we can control and what we don’t know we can’t.

Sarah Ann Weber: I Know Her | Group Show: After Each Night We Are Emptier
2025-11-15 18:00 - 20:00 | Anat Ebgi | Mid-Wilshire, 6150 Wilshire Blvd, Los Angeles, CA, 90048, United States
Across I Know Her, Sarah Ann Weber locates apertures where the maternal, environmental, and imaginative converge, accumulating dualities that form an ecology of unruliness and resilience. The exhibition’s title gestures to multiple recognitions—the child, the mother, the landscape, the artist herself—each glimpsed, inhabiting a space of flux and perpetual renewal.

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Anat Ebgi is pleased to announce After Each Night We Are Emptier, including works by: Eve Biddle, Veronica Fernandez, Simon Haas, Hayv Kahraman, Ragen Moss, Veronika Pausova, Mary Ann Unger.

Driftwork
2025-11-15 18:00 - 21:00 | Southern Guild, 747 N Western Ave, Los Angeles, CA, 90029, United States
Southern Guild is pleased to present ‘Driftwork’, curated by Essence Harden, opening in Los Angeles on 13 November (until 24 January, 2026) and featuring work by 11 African and diasporic artists.

The Olllam
2025-11-15 19:00 - 23:30 | Troubadour, 9081 Santa Monica Blvd., Hollywood, California
The Olllam is a fascinating and highly original instrumental trio, often described as a Transatlantic Celtic Post-Rock supergroup, known for their unique fusion of traditional Irish music with modern, complex rhythms and production. The core members include master uilleann piper John McSherry from Belfast, and Michigan-based multi-instrumentalist Tyler Duncan and master drummer Michael Shimmin. Their sound seamlessly blends the melodic grandeur of Irish pipes and whistles with intricate, often psychedelic post-rock and jazz-influenced rhythms, creating epic, trance-like compositions that critics have compared to finding a middle ground between Radiohead and a classic Irish folk band like Planxty. Named after the ancient Irish term for a “master musician,” the group gained widespread acclaim for their 2012 self-titled debut and their long-awaited 2022 follow-up, elllegy, with their musical reputation further boosted by the involvement of bassist Joe Dart and other members of the famed funk band Vulfpeck in their recordings and live shows.

SmartLess Live with Jason Bateman, Sean Hayes, & Will Arnett
2025-11-15 19:30 - 23:30 | Greek Theatre, 2700 North Vermont Ave., Los Angeles, California, 90027.0
The live show captures the spontaneous and humorous dynamic of the podcast, where one of the three hosts—Jason Bateman, Sean Hayes, or Will Arnett—surprises the other two and the audience with a mystery celebrity guest.

Herb Alpert & The Tijuana Brass & Other Delights
2025-11-15 20:00 - 23:30 | Dolby Theatre, 6801 Hollywood Blvd., Hollywood, California, 90028.0
After reforming his iconic Tijuana Brass for the first time in over 40 years, legendary musician, artist, record label executive, and philanthropist Herb Alpert will close out his once-in-a-lifetime Herb Alpert & The Tijuana Brass & Other Delights tour with a blowout homecoming show at the Dolby Theater in Los Angeles on November 15th.
With an all-new lineup of Bill Cantos (piano & marimba), Kerry Marx (guitars), Ray Brinker (drums), Kris Bergh (trumpet), Ryan Dragon (trombone), and Hussain Jiffry (bass), Herb Alpert & The Tijuana Brass & Other Delights commemorates the 60th anniversary of his historic album Whipped Cream & Other Delights performing hits like “The Lonely Bull,” “Spanish Flea,” “Tasteof Honey”, “This Guy’s In Love With You” and another delight, “Rise.”

Alteronce Gumby: Walk on the Moon
2025-11-16 15:00 - 18:00 | Jeffrey Deitch | Orange, 925 N Orange Drive, Los Angeles, CA, 90038, United States
Jeffrey Deitch is pleased to present Walk on the Moon, an exhibition of new work by Alteronce Gumby, the artist’s first solo presentation with the gallery. Structured around four separate yet intertwined movements that incorporate each facet of Gumby’s ever-evolving practice—from painting, to sculpture, to installation and sound—Walk on the Moon presents the latest discoveries and innovations from his sustained research into and exploration of the material properties of color and how they shape human perception.
A pillar of Gumby’s work and primary vehicle for his experimentation with color has been a form of abstract painting entirely his own, one that incorporates mirrors and acrylics, colored glass and a vast array of gemstones, from agate to quartz, lapis to malachite. In a suite of six new square ‘tonal’ paintings, Gumby organizes his palette around a single color unique to each one, resulting in intensely concentrated expressions of a given hue or tonality.
Placed throughout each composition are ‘organites’ that Gumby creates using gemstones, conductive metals and resin. Channeling the energetic properties of color into each organite, Gumby deploys them as magnifiers of that very energy. Though the shifting and shimmering surfaces of each painting change according to the available light in a given environment, several remain anchored by the presence of sacred geometry—the square, pyramid and circle—hovering within their compositions. Along with the inclusion of our mirrored reflection, these fundamental forms open up portals for the imagination.
Gumby’s expansive command of abstraction is further revealed by an eclectic group of paintings that accompany the tonal works. In three ‘Black-body’ paintings, Gumby manipulates and forms resin into strips of prismatic color that evoke the full spectrum of primary color that refracts through light. Four ‘falling rainbow’ paintings made of monochromatic resin with gemstones suspended within are affixed with naturally and synthetic dyed silks that flow down from the picture plane and pool onto the gallery floor, allowing Gumby to explore the transition of color from the material to the immaterial.
In Color in Nature (2025) Gumby joins together five colored resin squares, with the palette and corresponding gemstone within each made to express both the idea and experience of the photographic image embedded within. Completing this movement is one of the largest shaped paintings Gumby has made yet, Dancing in the Milky Way (2025), that staggers two horizontal panels together, one atop the other—their radiant surfaces evoking the cosmos itself.
Continuing his investigation into the different ways color can be felt, seen or understood, Gumby has created new monolithic resin sculptures that reference the same color palette as the tonal paintings. Alternating between density and translucency, between opacity and luminosity, these hulking yet ethereal objects capture the way color is transfigured by passing through material. Each sculpture presents a concentrated expression of red, blue, green, yellow or violet and contains gemstones suspended within them.
The final movement of Walk on the Moon and one that synthesizes the preceding forays into color, material, experience and time, is an installation that harnesses the natural light that pours into the gallery via its skylights. Taking naturally and synthetic dyed silks and affixing them to the skylights to create what Gumby calls ‘light wells,’ these sculptural iterations of the ‘falling rainbow’ paintings reconsider the very materiality of color and its atmospheric or environmental quality. This room will also function as an experimental space where invited artists working with sound will stage one-day performances, offering their own vision of what color is and how it can be experienced. The fundamentally interdisciplinary nature of the installation demonstrates the boundlessness of Gumby’s practice as he endeavors to understand color as both an earthly fact and abstract idea.
Alteronce Gumby was born in Harrisburg, Pennsylvania and now resides in New York City. He received his BFA from Hunter College in 2013 and his MFA in Painting & Printmaking from Yale School of Art in 2016. He was a resident artist at the Rauschenberg Foundation in Captiva Island, Florida, in 2019. In 2017, he completed a residency as the Harriet Hale Woolley scholar at the Fondation des Etats-Unis in Paris. Solo exhibitions include Walk on the Moon, Jeffrey Deitch, Los Angeles (2025); If Herr Street Could Talk, Susquehanna Art Museum, Harrison, PA (2025); Prince of the Far Rainbow, Nicola Vassell Gallery, New York (2024); Dark Matter, Allentown Art Museum, Allentown, PA (2022); Cross Colours, Bode Projects, Berlin (2021); Alteronce Gumby: My Favorite Color is a Rainbow, Parrasch Heijnen Gallery, Los Angeles (2020) and Black(ness) is Beautiful, the Foundation des Etats-Unis, Paris (2017). Group exhibitions include The Abstract Future, Jeffrey Deitch, Los Angeles (2025); Social Abstraction, Gagosian, Los Angeles (2024); Alteronce Gumby | Charles Ross, Parrasch Heijnen gallery, Los Angeles (2024); The 100 years, Gagosian x Deitch Exhibition, Miami (2022) and For Freedoms, Pizzuti Collection of the Columbus Museum of Art, Columbus OH (2018). The artist’s work is held in the collections of the Los Angeles County Museum of Art, The Studio Museum in Harlem, Columbus Museum of Art, Solomon R. Guggenheim Museum, Williams College Museum of Art, Allentown Art Museum, and Memphis Brooks Museum of Art.

Daughter Daddy
2025-11-16 16:00 - 17:00 | The Broadwater, 1076 Lillian Way, Los Angeles, California, 90038.0
A father and daughter explore the musical eras of childhood from Elmo to Elsa to Elphaba and beyond! Advance tickets recommended!

Daughter Daddy
Lily, an imaginative 11-year-old, and her dad explore the musical eras of her life (so far). This family-friendly musical comedy celebrates the different stages of Lily’s life through banter and songs, and takes a musical journey from Elmo to Elsa to Elphaba and beyond. Together, they perform hits from Frozen, Matilda and Wicked, to pop tunes from Taylor Swift, Dua Lipa, Coldplay, The Proclaimers and other artists, as well as original songs. This Los Angeles-based father-daughter duo performs regularly. You can see Lily in over 25 Disney Princess Club episodes on the official Disney Kids YouTube channel.

BAREKAMUTIUN DANCE
2025-11-16 18:30 - 23:30 | Dolby Theatre, 6801 Hollywood Blvd., Hollywood, California, 90028.0
25 years of legacy. One historic night. A celebration of rhythm, passion, and power, Barekamutiun Dance Studio proudly presents a dance extravaganza like no other.
From Armenian roots to modern moves, over 400 performers will take the iconic Dolby Theatre stage with unique dance numbers that tell unforgettable stories.

Kenyon Dixon
2025-11-16 19:00 - 21:00 | Blue Note Jazz Club
Kenyon Dixon is a three-time GRAMMY-nominated singer, songwriter, and torchbearer for modern R&B—proving the genre is not just alive, but thriving. With smooth, soul-stirring vocals and a pen rooted in truth, love, and timeless storytelling, the Los Angeles native has quietly become one of the most respected voices in contemporary music.
Dixon’s career began behind the scenes, working with legends like Tank, Tyrese, and Faith Evans , and lending his voice to major artists including Nick Jonas, Jill Scott, and Kirk Franklin. But it’s his solo catalog that’s solidified his place in R&B. From Expectationsto Closer to The R&B You Love, he’s delivered a steady run of critically acclaimed, top 5 iTunes charting albums that both honor the genre’s roots and reimagine its future.
His 2023 and 2024 GRAMMY nominations for “Lucky” and “Can I Have This Groove” (both from The R&B You Love: Soul of the ’70s) marked a defining moment in his solo career. That same year, he completed his second headlining tour in support of the album, with most dates selling out nationwide.
Most recently, Dixon released Come As You Are—a collaborative R&B, soul, and jazz fusion album with super-producer Terrace Martin, best known for his work on Kendrick Lamar’s To Pimp a Butterfly and Good Kid, M.A.A.D City. The project is already earning widespread acclaim for its bold fusion of genres, spiritual depth, and cultural authenticity.
Beyond his own records, Dixon’s creative footprint spans across the industry. He co-wrote 10 songs on Justin Timberlake’s latest albumEverything I Thought It Was, arranged and vocally produced theICU Remix for Coco Jones, and co-wrote “Keep Going Up.” He also served as music director for Revolt TV’s The Link Up II and continues to be a go-to collaborator for artists across genres.
Dixon’s music has also made its way to the screen, featured in hit shows and films like The Chi, Bel-Air, and Tyler Perry’s Divorce in the Black. In 2025, he earned an NAACP Image Award nomination for Best Collaboration for his duet “Whatcha Done Now” with R&B powerhouse Leela James—adding another milestone to an already stellar run.
With a sound that fuses nostalgia and innovation, Kenyon Dixon isn’t just delivering the R&B you love—he’s defining what its future sounds like.

The Deslondes
2025-11-16 19:00 - 23:30 | Troubadour, 9081 Santa Monica Blvd., Hollywood, California
The Deslondes are an acclaimed Americana and roots rock band hailing from New Orleans, Louisiana, recognized for their captivating musical blend that draws deeply from the American songbook, including country, folk, R&B, blues, and swamp pop. Formed in the Holy Cross neighborhood, the quintet operates as a genuine musical democracy, with all five members—Dan Cutler, Sam Doores, Riley Downing, Howe Pearson, and John James Tourville—contributing to the songwriting and sharing lead vocal duties, which lends a rich variety and honesty to their sound. Their music is celebrated for its raw, stripped-down, and vintage feel, often carrying the infectious, easy-rolling groove of New Orleans R&B and the earnest twang of classic country, a style that has earned them critical praise across albums like their self-titled 2015 debut and their latest release, Roll It Out.

Julius Rodriguez
2025-11-17 17:00 - 21:00, 2025-11-17 21:00 - 23:30 | Blue Note Jazz Club
Julius Rodriguez is an American jazz pianist, composer, and rising star in the vibrant alternative jazz scene. Known for his soulful sound and dynamic playing, Rodriguez blends a deep understanding of traditional jazz with modern influences, creating a distinctive voice that resonates across genres. His music effortlessly merges elements of jazz, funk, and soul, capturing the essence of both old-school and contemporary styles.
Born and raised in New York, Rodriguez began his musical journey at an early age, studying piano and drums and developing a love for jazz through the city’s rich musical history. He made a name for himself as young as eleven years old in the vibrant West Village jazz club scene, and later honed his craft at prestigious institutions such as the Juilliard School of Music, where he further shaped his sound and refined his improvisational skills.
Rodriguez’s artistry extends beyond his musicianship. As a composer and bandleader, he brings a unique energy to every performance, seamlessly navigating between melodic inventiveness and intricate rhythms. His debut album, Let Sound Tell All, received critical acclaim, showcasing his ability to craft intricate compositions that push the boundaries of jazz. His most recent album, Evergreen, further demonstrates his growth as an artist, blending rich, complex arrangements with a deep sense of emotion, while continuing to explore and push the boundaries of the genre.
Whether performing in intimate settings or large festivals, Rodriguez continues to establish himself as one of the most promising voices in contemporary alternative jazz. His work as a collaborator is equally impressive, having joined forces with a wide range of influential musical figures, such as Meshell Ndegeocello, Lianne La Havas, Remi Wolf, Kurt Elling, Chris Botti, A$AP Rocky, Cautious Clay, and Madison McFerrin. With his impeccable technique, musicality, and vision, Julius Rodriguez is poised to become one of the defining voices of his generation in the ever-evolving world of jazz.

Keyon Harrold
2025-11-18 17:00 - 21:00, 2025-11-18 21:00 - 23:30, 2025-11-19 17:00 - 21:00 | Blue Note Jazz Club
Keyon Harrold is a Grammy Award-winning trumpeter, composer, and producer celebrated for his masterful ability to blend jazz with elements of hip-hop, neo-soul, rock, and blues, creating a sound uniquely reflective of the modern American experience. Hailing from Ferguson, Missouri, his music often carries themes of social justice and personal resilience, which are vividly explored in his critically acclaimed albums like The Mugician (a portmanteau of ‘musician’ and ‘magician’) and his recent release, Foreverland. Harrold’s distinctively warm and commanding trumpet sound has made him one of the most in-demand session musicians in the industry; he is known for providing the “trumpet voice” for Miles Davis in the biopic Miles Ahead and has collaborated with a vast array of legends including Beyoncé, Jay-Z, D’Angelo, Common, and his frequent bandmate and New School classmate, Robert Glasper. His career showcases a rare versatility, moving seamlessly from the improvisational rigor of jazz clubs to the pop sensibility of mainstream music.

KCRW Presents: Little Simz
2025-11-18 19:00 - 23:30 | Hollywood Palladium, 6215 Sunset Blvd, Hollywood, California
Little Simz is a critically acclaimed British rapper, singer, and actor renowned for her exceptional lyrical dexterity, complex narrative songwriting, and genre-blending musicality that fuses hip-hop with elements of jazz, funk, and R&B. Hailing from North London, she gained widespread recognition for her introspective themes, often tackling issues of identity, race, womanhood, and mental health with wisdom beyond her years. Her albums, particularly the Mercury Prize-winning Sometimes I Might Be Introvert (2021) and the deeply personal NO THANK YOU (2022), have cemented her status as one of the most innovative and important voices in contemporary global hip-hop, earning her high praise for her artistic vision and uncompromising honesty.

Julie Doiron & Black Belt Eagle Scout
2025-11-18 19:00 - 23:30 | Troubadour, 9081 Santa Monica Blvd., Hollywood, California
Julie Doiron, is a legendary Canadian singer-songwriter and former bassist/co-vocalist of the seminal indie rock band Eric’s Trip, brings her decades of experience in crafting raw, heartfelt folk-rock and emotionally intense songs. Sharing the stage is Black Belt Eagle Scout, the musical project of Swinomish/Iñupiaq artist Katherine Paul, whose sound is a powerful blend of cathartic indie rock and grunge influences, deeply rooted in themes of Indigenous identity, community, and the landscapes of the Pacific Northwest. This double bill is a special occasion for fans of genuine, heavy-hitting independent music, offering a seamless journey from Doiron’s introspective vulnerability to Paul’s expansive, socio-politically charged anthems, with confirmed dates including the Troubadour in West Hollywood in November 2025.

Suffs: Behind Every Powerful Woman...are More Powerful Women
2025-11-18 19:30 - 21:00 | Hollywood Pantages Theatre, 6233 Hollywood Blvd. Wayne McWorter (213)365-3500, Hollywood, CA, 90028.0
Direct from Broadway, comes the acclaimed Tony Award® winning musical SUFFS about the brilliant, passionate, and funny American women who fought tirelessly for the right to vote. Created by Shaina Taub, the first woman to ever independently win Tony Awards for Best Book and Best Score in the same season, this “thrilling, inspiring and dazzlingly entertaining” (Variety) new musical boldly explores the triumphs and failures of a struggle for equality that’s far from over. Winner of the Outer Critics’ Circle Award for Best New Musical.

“Like all of the best Broadway musicals, SUFFS humanizes, empowers, moves, and entertains.” Chicago Tribune

Suffs
2025-11-18 19:30 - 22:30 | Hollywood Pantages Theatre, 6233 Hollywood Blvd. Wayne McWorter (213)365-3500, Hollywood, CA, 90028.0
