American Cinematheque at Egyptian Theatre

Flirting with the conventions of blaxploitation and horror%2c Bill Gunn’s revolutionary independent film GANJA %26amp%3b HESS %281973%29 is a highly stylized and utterly original treatise on sex%2c religion%2c and African American identity. Conversation with special guests to follow.%26nbsp%3b%26nbsp%3b%3cdiv%3e %3ca href%3d%22https%3a//www.fandango.com/egyptian-theatre-hollywood-aaofx/theater-page%3fdate%3d2018-10-29%22 target%3d%22_blank%22%3ewww.fandango.com/egyptian-theatre-hollywood-aaofx%3c/a%3e %3c/div%3eDesignHTMLWords: 38   Characters: 305

%3cspan%3eIn AUNTIE MAME%2c Rosalind Russell stars as the jet-setting%2c Park Avenue aunt who suddenly becomes guardian to her young nephew. Free-spirited Mame takes the boy on irreverent escapades through the bohemian 1920s.%26nbsp%3b%3c/span%3eDesignHTMLWords: 32   Characters: 205

Sydney Lumet%27s crime drama screens with dystopian sci-fi thriller%2c %3ci%3eGattaca%3c/i%3e.%26nbsp%3b Discussion with actor %3cb%3eEthan Hawke%3c/b%3e between the films. %26nbsp%3b %3ca href%3d%22http%3a//www.americancinemathequecalendar.com/content/before-the-devil-knows-you%27re-dead-gattaca%22 target%3d%22_blank%22%3ewww.americancinemathequecalendar.com/content/before-the-devil-knows-you%27re-dead-gattaca%3c/a%3e %3cbr%3eDesignHTMLWords: 19   Characters: 205

%3cspan%3eAnna Magnani is unforgettable in Luchino Visconti’s%26nbsp%3b%3c/span%3e %3cstrong%3eBELLISSIMA%3c/strong%3e %3cspan%3eas Maddalena%2c a working-class Italian convinced that her daughter could be the next Shirley Temple in this neorealist dramedy. In Italian with English subtitles.%26nbsp%3b%3c/span%3e %3cstrong%3eProgram begins with Visconti’s 55-minute segment of the 1962 anthology film BOCCACCIO ’70%2c “Il Lavoro” %28The Job%29%2c starring Romy Schneider.%3c/strong%3eDesignHTMLWords: 52   Characters: 355

Discussion following with director David Cronenberg and composer Howard Shore%2c moderated by Mick Garris. %3ca href%3d%22http%3a//americancinemathequecalendar.com/content/dead-ringers-0%22 target%3d%22_blank%22%3eamericancinemathequecalendar.com/content/dead-ringers-0%3c/a%3eDesignHTMLWords: 15   Characters: 155

%3ca href%3d%22http%3a//americancinemathequecalendar.com/content/shivers-rabid-the-brood-scanners%22 target%3d%22_blank%22%3eamericancinemathequecalendar.com/content/shivers-rabid-the-brood-scanners%3c/a%3eDesignHTMLWords: 1   Characters: 68

Discussion between films with director David Cronenberg%2c composer Howard Shore and actress Geena Davis. %3ca href%3d%22http%3a//americancinemathequecalendar.com/content/the-fly-naked-lunch%22 target%3d%22_blank%22%3eamericancinemathequecalendar.com/content/the-fly-naked-lunch%3c/a%3eDesignHTMLWords: 15   Characters: 158

Discussion between films with director David Cronenberg%2c composer Howard Shore and actresses Debbie Harry and Jennifer Jason Leigh%2c moderated by Leigh Whannell. %3ca href%3d%22http%3a//americancinemathequecalendar.com/content/videodrome-existenz-0%22 target%3d%22_blank%22%3eamericancinemathequecalendar.com/content/videodrome-existenz-0%3c/a%3eDesignHTMLWords: 23   Characters: 217

DesignHTMLWords: 0   Characters: 0

DesignHTMLWords: 0   Characters: 0

Shaw Brothers Triple Feature%21 In BLACK MAGIC 2%2c skeptical city doctors visit a small village. In HUMAN LANTERNS%2c a skull-masked village psycho is on the loose. THE BOXER’S OMEN is easily the most notorious film in the entire Shaw Brothers catalogue%2c a Wizard Battle movie to end all Wizard Battle movies.DesignHTMLWords: 51   Characters: 296

Director Spike Lee in person.DesignHTMLWords: 5   Characters: 28