Blog
by Joshua Kahn By the 2020 election there will surely be many plays, films, concept albums and all manner of artistic re…
Die, Mommie, Die! – Theatre Review
by Bill Garry Charles Busch’s Die, Mommie, Die!, which premiered in LA in 1999, returns in a riotous new productio…
Married People – Theatre Review
by Joan Alperin Every so often you go the theatre and get pleasantly surprised by what you are seeing on stage. ThatR…
Liana and Ben – Theatre Review
by Rachel Flanagan Circle X Theatre Co’s world premiere of Liana and Ben, written by Susan Rubin and directed by M…
by Bekah Caden Full of whimsy and some of the most incredible skill you’ll ever see, Circus 1903 revives a turn of…
33 Variations – Theatre Review
by Bekah Caden As one the most influential composers of all time, Beethoven’s legacy weighs heavily on this produc…
Game of Thrones the Musical – Theatre Review
by Joshua Kahn You’ve got Silence!, the “Silence of the Lambs” musical. You’ve got Baysid…
The Princess and the Frog – Theatre Review
by Jen Brown What happens to a frog when kissed by a Princess? It turns back into a Handsome Prince, of course! But not …
by Bill Garry Plasticity, now running at the Hudson Guild Theatre in Los Angeles, is a remarkable production. A single a…
The Found Dog Ribbon Dance – Theatre Review
by Bekah Caden Echo Theatre Company’s most recent production examines the very base of theatre and art; connection…
Out & About with Susan Hornik 1/31/17
With award season kicking off, January always goes by so quickly. I went to the Palm Springs Film Festival’s openi…
Brilliant Traces – Theatre Review
by Bekah Caden Experiencing the almost 30-year-old play Brilliant Traces at the Underground Theatre put me in a quandary…