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The Ningyo – Film Review

By Rachel Flanagan A good movie can transport anyone to a faraway place in a faraway time, make people laugh, cry or scr…

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Fefu and Her Friends – Theatre Review

By Annette Semerdjian “Theatre is life! Life is theatre,” exclaims Caro Zeller who plays Emma in the interna…

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The Awful Grace of God – Theatre Review

By Rachel Flanagan Seasoned actor Michael Harney, widely known as Inmate Counselor Sam Healy in the Netflix original &#8…

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Lord of the Underworld’s Home for Unwed Mothers – Theatre Review

By Annette Semerdjian “Lord of the Underworld’s Home for Unwed Mothers” is not only a great name for a…

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Rabbit Hole – Theatre Review

By Rachel Flanagan Rabbit Hole, directed by Eric Hunicutt, is David Lindsay-Abaire’s Pulitzer-Prize winning play t…

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Saudi Film Festival

By Alexander Woodman Despite stereotypical Western perceptions of Saudi Arabia, its culture is complex and diverse. The …

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Lone Star – Theatre Review

By Bill Garry I’ve seen Lone Star a number of times in both professional and student productions. The story of a b…

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Woody’s Order! – Theatre Review

by Joshua Kahn An overly-long montage of fascinating home videos from the 1950s introduces us to the Talman clan. Even t…

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Elevator – Theatre Review

by Joan Alperin Written and directed by Michael Leoni, Elevator is one of the most original and entertaining plays I&#82…

Oscar’s Hollywood

The results are in and more than conclusive. Measure S, which, by all accounts was a misguided moratorium on new and aff…

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The Snow Geese – Theatre Review

by Joshua Kahn These days, it’s not too surprising that theatre companies everywhere are champing at the bit to pr…

Malicious Bunny – Theatre Review

by Rachel Flanagan Could you ever love someone so much that you would kill for them? That is what Jonathan Wicks must as…